Tuesday, 26 June 2018

A Visit from Jean-Dominique Mellot PHILIP HARVEY


Left to right: Philip Harvey, Jean-Dominique Mellot, Wallace Kirsop
Photograph: Susan Southall

On Tuesday the Carmelite Library received a visit from the Chief Curator (Conservateur General) of the Bibliothèque nationale de France (BnF). Jean-Dominique Mellot is in Melbourne to give this year’s Foxcroft Lecture at the State Library of Victoria. The lecture, entitled ‘Policing the Parisian book trade in the Age of Enlightenment’, reflects his central interest in the history of the book, and more especially the French book. M. Mellot was being shown around town by the scholar and bibliophile in French culture, Wallace Kirsop.

Jean-Dominique Mellot has also written in Carmelite history, most significantly his two-volume work which we hold in the Library, ‘Histoire du Carmel de Pontoise’ (Desclée de Brouwer, 1994-2005). This book, he told us, was written after an approach by the municipality of Pontoise, a commune on the outskirts of Paris, as one means of preserving the ancient Carmel from sale and development. His efforts have been successful: the threat to the foundation has been resolved.

Pontoise is the oldest discalced Carmel in France, established by Marie of the Incarnation (“La belle Acarie”) in 1605, during the long period of religious upheaval in that country. The first Carmelites to live at Pontoise were Spanish Teresians, themselves none too keen to venture into such a dangerous environment. The convent’s later restoration after the Revolution of 1789 makes it one of the longest surviving religious houses in France.

Conversation turned to library matters. One of M. Mellot’s main challenges is to pull into line the immense rare collections of the BnF. As Chief Curator he is Chef du service de l'Inventaire rétrospectif à la Bibliothèque nationale de France. This means that one of the central tasks is cataloguing, the kind of specialist cataloguing required for such material. He said that something like 30% of early imprints lack a firm date, one of the essential requirements of historical research, not least in the subject of religion.

He is in the process of devising charts to map the lifespans of publishing houses – sometimes an eon, sometimes just a flicker of time – in order to match when different works, or impressions of works, were likely to have been published. I reminisced on Australia’s own Early Imprint Project (EIP) of the early eighties, a much more manageable endeavour than that facing M. Mellot. The idea was to record all books published before 1801 held in Australian libraries, a collective snapshot of a nation’s holdings. I asked if the turn of the nineteenth century was a useful cut-off date when defining an early imprint. 1830 was the sharp reply, the moment when the hand press started being taken over by industrial machine printing.

In a fitting and mannerly way, we bewailed the sudden closures of religious houses, more especially the rapid disposal or dispersal of their precious libraries. This seems to be as common in France as in Australia. With the stroke of a pen, or just the stroke of midnight, valuable collections built up over decades can be removed by a religious superior, without consultation or thought. The Carmelite Library’s donations policy was put in place to catch some of this precious heritage, rather than letting it vanish into oblivion. The French have the same idea, though of course on a vastly grander scale. Their religious houses are brimming with books, manuscripts, and archival materials vital to the historical as well as the spiritual record.

M. Mellot spoke of legal deposit, France being the first country in the world, under King Francis the First, to establish this practical collecting device and safety check on publishing and inheritance.  The King signed the Ordonnance de Montpellier in late December 1537, coming into effect in 1538. Legal deposit is effective but never thorough. No library can hope to receive one copy of every published title. He good-naturedly complained of those through time who took books from legal deposit collections at the BnF, thus setting librarians today, himself included, the task of chasing lost titles through dealers, antiquarians, and other collectors.

1538 caught my attention, as that is the year of publication of the Carmelite Library’s oldest rare book, ‘Disputationes adversus Lutheranos per proloquia seu pronunciata caeteris eorum articulis opposita’, by the Carmelite of Ferrara, Giovanni Maria Verrato. This book was passed around, out of interest, as we considered that by 1538 people could argue all they liked with those wretched Lutherans, the horse had already bolted.

From what I could grasp, it seems the BnF wishes to collect two copies of each title, one for general access and one for permanent storage. This means that even if the general access copy should go missing, there is still at least one print copy of the book in existence. This concern has become more, not less, pressing in our e-world, as the rapid changes in technology come with built-in obsolescence. Yesterday’s CD-Rom disc is unreadable without yesterday’s outmoded equipment, whereas the printed book is always readable, and always available for copy in new formats. Preservation of at least one copy of a title is my objective when insisting that the same practice be upheld within the University of Divinity libraries, of which the Carmelite Library is one member. The University has free access to a wealth of specialist literature from all centuries of the print era. We need to be sure that these titles do not vanish out of the system.

All of this collecting leads to one overwhelming question: space. The BnF is currently rebuilding at Rue de Richelieu. After his Australian tour is completed, M. Mellot returns to Paris and the immense tasks of mapping the publishing past and renovating for the library’s future.  

Monday, 25 June 2018

Rubem Alves TALITHA FRASER


On Tuesday the 19th of June Talitha Fraser led the Spiritual Reading Group in readings and discussion on the poet, psychoanalyst, theologian and philosopher Rubem Alves. Here are her words from that event, interspersed with images by Talitha and pages from Rubem’s lectures.

In In his article “An Anthropophagous Ritual, “ Rubem Alves wrote:

Anthropophagy is the eating of human flesh – cannibalism, something savage. But so-called savages don’t think so. A tribe of Brazilian Indians who practices anthropophagy justified it thus:  “You who call yourselves civilised don’t love your dead.  You made deep holes and bury them to be eaten by worms. We, on the other hand, love our dead. We don’t want them to be dead.  But they are dead! There is only one way to keep them alive: if we eat them. If we eat them, their flesh and blood continue to live on in our own bodies.
 
Anthropophagy isn’t done for nutritional reasons. It isn’t a barbecue. It’s a magical ceremony.  It is believed that, by eating the dead, their virtues are incorporated into those who eat them. Psychoanalysts agree. They believe that our personality is formed by successive anthropophagus meals at which we devour a piece of one person, a piece of another... the Eucharist is a poetic ritual of anthropophagy: “This bread is my body; eat of it. This wine is my blood: drink of it.”

...that is what I wish. To be eaten.

Rubem Alves died on the of 19 July 2014, aged 80 – almost exactly four years ago - this material we’re about to read was originally delivered at the 1990 Edward Cadbury Lectures in the University of Birmingham, segments of eight talks given over two weeks and our invitation today is to read Alves work and take him in. Rubem Alves had a pretty extraordinary view of life and way of expressing that descriptively to others.

[WEBS and WORDS]




Although Stanley Hopper and David Miller are credited with coining the term theopoetics, and  Amos Wilder’s “Theopoetics: Theology and the Religious Imagination” is considered the seminal text of the field, Rubem Alves’ writing takes credit as a premium model of the style – combining theology and poetry.

Theopoetics is an interdisciplinary field of study that combines elements of narrative theology, poetic analysis, process theology and postmodern philosophy.

Amos Wilder says: “Old words do not reach across the new gulfs, and it is only in vision and oracle that we can chart the unknown and new-name the creatures.  Before the message there must be the vision, before the sermon, the hymn, before the prose, the poem.”  Rubem calls us into an encounter of the Mystery of the Divine saying: “it’s not science that can explain this, but our lived embodied experiences.”  

Anything stand out?

[RESURRECTION]

Anything stand out?

Rubem Alves was a forerunner of the liberation theology movement and key to the transformation of Christian social ethics in light of this thinking.  He was a writer, a psychoanalyst, a theologian, an educator, a storyteller, a poet... During his career, Alves collaborated with notable personalities such as Peter MaurinDorothy Day, and Paulo Freire.  He was widely read and frequently included art and quotes from the work of others in confluence with his own including writers such as Rilke, Emily Dickinson, Tolstoi, e.e.cummings, Bonhoffer, and Sigmund Freud among others – 74 different references in these lectures alone. You gain from this a sense of a man who is listening to the world and taking it in. These lectures perhaps the map of some of Alves’ anthopophagus meals. .  Alves was a prolific writer contributing over 100 books, some of these translated into six different languages, children’s books and many articles on education, philosophy and religion. 

Anything stand out?

[SILENCE - PRAYER]

Rubem Alves was born in a small rural town, Boa Esperança, Minas Gerais, of Brazil in1933. His father was once rich but went broke during the depression and his family had to move to Rio de Janeiro where he was seen as a “hick” from the country.  This crisis was also what led his family to the church as, unable to afford to send the children to school, the family accepted assistance from Presbyterian missionaries to get an education.  After high school Alves studied theology, doing outreach to factory workers, then returning to his home state to serve as a pastor amongst simple and poor people (1957).  His religion was practiced and interpreted from the perspective of the poor.  Less about sin, and more about love and freedom, Alves saw religion as a means to improve the world of the living rather than guaranteeing something to people once they’re dead.  Much of what resonates in his writing is the way he takes ordinary human things and makes them sacred. The honesty with which he does this, asks listeners to consider the truth of themselves and invites them to know that as wholeness.  He writes about bodies, love, death, food, communion – universal themes...  and he writes beautifully... believing:  “…the goal of our struggle for justice and all political struggles is for the world to be more beautiful.  Poverty is horrid, it’s ugly. Poverty is death, death of children, suffering.  These are terrible things! They must end!” 

In 1959, he married Lídia Nopper and they had three children together -- Sergio, Marcos, and Raquel.   Through the 1960s, Alves alternated between service as a Presbyterian parish pastor and study as a graduate researcher in theology.  Alves went to New York to do his Masters but flew back to Brazil following the US-supported military coup of 1964. The Presbyterian Church of Brazil chose six intellectuals as scapegoats and offered these names to the new military dictatorship to avert persecution themselves.  Immediately upon his return to Brazil, rather than being reunited with his wife and children, Alves had to go into hiding. With assistance from Brazilian Freemasons and the Presbyterian Church in the United States he returned to the US covertly eight weeks later and secured an invitation from Princeton Theological Seminary  to commence doctoral studies there – where he hated it – he was not allowed to write using similes or poetry and thought this writing his ugliest. Alves received the lowest possible grade that was still a pass for his PhD. Of this academic theological approach Alves commented:
“Theology is not a net that is woven in order to capture God in its meshes, for God is not a fish but Wind that no one can hold.
Theology is a net which we weave for ourselves so that we may stretch out our body in it”
Anything stand out?

[TWO SISTERS]


When he eventually returned to Brazil in 1974, Rubem became a University Professor.  Having been expelled by the denomination he belonged to, Rubem (along with other communities and pastors) had a painful period of isolation and dispersion until 1978, when together they founded the National Federation of Presbyterian Churches which, from 1983 on was named the United Presbyterian Church of Brazil (IPU). Rubem made significant contribution to the founding documents of this new church and it was said of this work by The Rev. Sonia Gomes Mota: “He was not interested in giving us moral lessons or transmitting the absolute and indisputable truth. As a good theologian, philosopher and educator, he was more interested in making us think, reflect and question the immutable truths of theology and urged us to envision new possibilities and new ways of living our faith. Rubem led us to deserts and invited us to be gardeners and planters of hope.”
Born in a context of political and social oppression, preaching and teaching of God’s word as well as social programmes such as nurseries, sewing workshops, health centres, psychological services, and literacy courses are just a few examples of the integrated activities developed by these new church communities. They were the first Presbyterian church in Brazil to ordain women.

 Alves once remarked, “Prophets are not visionaries who announce a future that is coming. Prophets are poets who design a future that may happen. Poets suggest a way.”
Rubem Alves would go on to add psychotherapy to his portfolio and establish his own clinic. In later life, although he maintained a pastoral and prophetic touch with the people he encountered, Rubem’s association with institutional religion became more detached as he came to believe that space, that curiosity, that out of the “nothing” offered by poetry, more good could come than of liberation theology.

[UNLEARNING – I try therefore...]




Tuesday, 5 June 2018

Thomas Merton, Zen & Aboriginal Spirituality GLENN LOUGHREY


On Friday the 25th of May, Glenn Loughrey offered a paper on the Cistercian spiritual writer Thomas Merton, Zen, and Aboriginal Spirituality, as part of this year’s Carmelite Centre Symposium, ‘A Readers’ Festival of Spirituality’. The paper was informed by three of Glenn’s art works, which are reproduced here where they first display during the paper.

In preparing for this talk, I found myself pondering on a peculiarity within the Australian religious scene. In looking at the program for this week I found myself reading about voices from other countries and other sensibilities. There are no Australian voices, and more importantly, there is no representative of the ancient spirituality that preceded western civilisation.

Now, in the context of this conference there are obviously good reasons for that. This is a reader’s conference and we are looking at authors and spiritual guides who have made an indelible impact on the Christian religious landscape. It makes sense to look at those writers and contemplatives included in the program. Yet I would like to make a claim for the indigenous spiritual voice to not only be heard, but to be included in the spirituality of the indigenised commonwealth we call Australia. As the Hindu guru Bramachari suggested to Merton when the young man asked him to suggest some writers to read on mysticism and contemplation, look first at your own mystics and when you know all about them I will recommend some for you, but only then.

The author Richard Flanagan, in a recent talk at the National Press Club, stated that Australia is not a European or an Asian nation. He asserted that because of our engagement with the land on which we live we have become indigenised. We have taken into ourselves some of the sensibility of Aboriginal spirituality found in our relationship with the land, landscape and all that makes this a rugged and dangerous place. An understanding of this perspective makes sense of the loose affiliation Australians have to organised religion and the sacrificial guilt that is inherent in traditional religion. We are not people of Europe, Asia or even America, and our perspective on spirituality and faith comes primarily from that which we have unconsciously absorbed on a land we stole from the sovereign custodians.

A recent project of mine has been to translate the Christian liturgy and its imported language into the symbols and language (not traditional spoken language) of the Aboriginal spirituality and worldview. If the church in Australia is to grow up, it must grapple with the task of becoming one with what is already here. Much of the history of the church and of spirituality, contemplative and other, has been one of supplanting that which already exists. The church has been complicit in the destruction of language, ritual and culture through such as its role in the civilisation of the natives and its continuation of the Doctrine of Discovery. The church exists on stolen ground and has continued to steal the identity and vibrant spirituality from those who have been here for 85,000 years.

I have been using this new liturgy in our Wednesday service which is streamed on line. It averages over 120 viewers every week. The question I have asked myself is: how does a service, which is not welcomed or embraced by the church hierarchy or liturgical commission, connect to a relatively large group of non-church attending Australians? Is there something within the ordinary Australian that hears a voice from the deep and responds without understanding and why? Or are these ordinary Australians more in tune with the land, the dirt beneath their feet, than we recognise?


In the beginning of Merton’s autobiography we read: ''On the last day of January 1915, under the sign of the Water Bearer, in a year of a great war, and down in the shadows of some French mountains on the borders of Spain, I came into the world.''[1] In this single line we read, I could suggest, all we need to know about Merton. Merton places himself in the world, not in a specific town our place, but in the midst of a wide sweep of time, place and awareness which frames all he does from that moment forward.

Yes, Merton lived in England, emigrated to America, travelled to Cuba and had connections to New Zealand, but he remained always within the description he gives of his birth. He was European in both origin and thought. He was scarred by the war he was born on the edge of and the subsequent second major European war that followed. He was influenced by the southern French landscape and beauty.

His copious correspondence was primarily with those on the continent and he remained always deeply Roman Catholic even in the midst of the changes wrought by Vatican II. Merton was, at his centre, a product of the enlightenment, unable to connect with English niceness or American commercialism. It is true he engaged with American thinkers and leaders but it was always from the starting point of European thought and practice.

Merton carried the country of his birth in his body and he could never break free from it. This is key idea in Aboriginal culture – we carry our country in our body. That is why, when you ask me who I am, I say Wiradjuri and my name is…….. I am my country first and it dictates how I respond to and  engage in the world both physical and spiritual. Like Merton, no matter how far I may travel from my place of birth physically or through such as education or faith, I remain always in one place because that place is here, in my body.

Such an idea holds great possibilities for the church if we could understand that the body broken on the cross was not just Jesus’s physical body but his country. Country referring to the place he came from and the place he was born into. He remained always in the first and made his home in the second and in his brokenness he opens up the possibility for us in both countries.

It could be suggested this is Merton’s life story. He lived a life broken in many ways by his experiences and his constant spiritual struggle with identity, freedom and his past. He failed to reach the spiritual high bar he sought as a contemplative, had an affair with a much younger woman and lived in conflict with authority. His was a life that was incomplete in many ways yet held within it the wisdom one can only find in the deep abyss, deep beneath the surface. Merton was a man of his country in that sense. A man from a rugged inner and outer landscape requiring personal engagement with everything that makes us human and whose voice remains relevant.


Out of his country Merton, like Jesus, shares with us the wisdom given to him for his own personal benefit. Merton is one in a long-line of elders, just as Jesus was. The idea that Jesus is our elder strikes fear into the hearts of some theologians who wish for him to remain always Lord. For Aboriginal people the concept of Lord is a foreign one. There is no such concept for us. We are a matriarchal people built on relationships of respect and trust and not on the hierarchal model of power favoured by Western theologians. Power is shared by the land to those who listen to it and are invited into the role of elder. Like Jesus who said that he only shares what he heard from the Father, Aboriginal elders only share that which comes from the country on which they were born and live.

Speaking of Jesus as elder is not just appropriate, for us it is the only way. Merton has become an elder, a holder of transmitted wisdom which began in the nature of his birth and continued in the nature of his life as a contemplative monk. Merton shares with us only that which he has heard through quietness and stillness, reading and learning, prayer and practice as well as though the interaction as a flawed human being in an even more flawed world. As my father would say, “ Walk your country and your country will tell you what it needs and what you need to hear.”

This was the practice that governed Merton’s life. His last secretary, Patrick Hart relates that Merton would leave the monastery on an afternoon walk, walking calmly away from the building into his beloved woods. Sometime later he would reappear, in a frenzied hurry, robes billowing in the wind as he scurried to his room and began to feverishly record what he had heard in the wild. Again, this encapsulates Merton as elder, one who listened deeply to that which gave him life, life itself, and who shares that with us in his writings.


Finally there is in Merton much of the child of the Dreaming. For Aboriginal people the Dreaming is not a far off place of creation stories but the everywhere, then of meta-spatial spirituality. Everything that has existed, exists or will exist exists now within the material environment in which we live. The ancestors are not past, they are present. Every creature, stone, tree or river is alive with story and presence. They speak from the deep the truth we need to hear.

Merton embraces this idea in his engagement with Zen as well as with his Christianity. For one he says “all is Zen” and the other he says the hills here are full of the New Testament. This everywhere, then of spirituality is an always renewing, ever remaining connected to the deep experience of living. Merton could see the presence of the spirit in everything from the birds in the air to the blacksnake in his toilet, the sound of Kentucky storms or the ancient chanting of the monks. These all held the stillness and quietness of the still small voice of God defying the noise of the bombers flying overhead with the nuclear egg in its hold. His last statement in Polunnaruwa, “ I have finally found what I was looking for” was a nod to this everywhere, then of the Spirit, Zen and the Dreaming. It was not about knowledge, power, wisdom or fame. It was about a sense of being that pervades all things all the time and through all of time.

Conclusion:

How we understand country, eldership and dreaming impacts on how we engage with Aboriginal people in terms of spirituality and respect.

A friend of mine in Utiopia, Central Australia, was talking to Centre-link on behalf of a female client. They wanted to know where she was born. She said, “Under the tree”. They wanted a more concrete address and after several attempts my friend said 1 Main Street. Centre link said, “You made that up”. He replied it is either that or under the tree.

He went on to say that under the Closing the Gap program, all mothers-to-be are moved off country to have their babies. The result is young people born disconnected from the law, language and culture on someone else’s country. This creates materially and spiritually disconnected young people and deeply shamed mothers.

Merton lived a life in conversation with these three integral ideas and challenges us to do so in this place and at this time.


[1] Merton