Sixty
pages of colour-tinted scenes from the pre- and early history of the House of
Israel. (Paris, circa 1913). Notes: This ‘Grand Album d’Histoire Sainte: Ancien
Testament’ was too large to fit in the donation of 95 boxes sent this month
from the Carmelite nuns in Varroville, New South Wales. This spacious volume
was posted separately in bubble plastic. The book must have a companion Nouveau
Testament, but we are only working with the Ancien. There is no record for the
work at the Bibliothèque nationale de France (BnF). Nor the Library of
Congress, WorldCat, or elsewhere. Everything is aggravating, if you are a
cataloguer. Aggravating that we don’t have an engraver. Aggravating, no date or
author. A work with this title dated 1913 is found at BnF under the name Xavier
de Préville, also published by Tolra, but ours has no text. Aggravating that
the BnF work is actually Tolra et Simonet, one of the many permutations of
Tolra coming up to this day. Aggravating. But the tinted images seem to come almost
naturally from the Belle Epoche. It is like viewing stills from a lost film by
Georges Méliès. The human figure is all, living in dramatic situations at the
foreground of the scene. Their actions are silent depictions, silent reminders
of the spoken stories heard over again in churches and synagogues all over
France. Yet, no engraver. Aggravating. The cataloguer with magnifier scans
corners and running headers for an initial, a hieroglyph, anything that may
hint at the tinter of these famous legends. Legends memorial and immemorial,
greater than the sum of their parts. Even naming Xavier de Préville in the
record is a risk, given he is nowhere named in the book itself.
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