On the 17th of March Philip Harvey conducted a Spiritual Reading Group on Thomas Merton. Pursuing a biographical line, poems were read and discussed that identified nine different aspects of Merton’s life, self, and work. Each aspect was illustrated by one of his photographs. Here is the text, with comments from the group about the poetry.
The monastic town of New
Norcia in Western Australia has at least five libraries. I have visited all of
the main ones, including the actual abbey library used by the monks every day.
My most profound discovery was to find that they read all the latest magazines,
newspapers, and social commentary. They are amongst the most well-informed
people in Australia. I say this because we can say the same of the Cistercians
at Gethsemani: they knew everything that was going on outside the walls, if
they needed to. This is good to remember when we read anything Merton wrote on
social and political activism, and there is a lot.
His protest poetry, if that’s
a way of naming it, stems from realism, a desire to say things as they are, and
justice, a desire to call out injustice and right that which is wrong. Look
closely enough and again we find Christ as the original inspiration of the
words, the maker of change from within, stepping into the dangerous places
where violence begins. The 11-page prose poem ‘Original Child Bomb’ (1962) is a
strategic takedown of the making and use of the atomic bomb. That poem is too
long to read here today on zoom, and likewise the book-length poem ‘The
Geography of Lograire’ (1968), a remarkable exploration of the spirit through
time that, amongst other things, defuses the concepts of racial and religious
divides throughout history.
Instead, I will read one of
Merton’s short anti-war poems, a deadpan view of warmongers that exposes their
cynicism while reminding us that there is a future while the voice of hope
rejects their oppressive power. We may take it as given that Von Clausewitz,
Napoleon et al, these representatives of war theorists, war mongers and
practitioners, will be found at the Stock Exchange. Where else? A parade
ground? Seriously? Their names are interchangeable and we will meet them again
in the same location. At first we may regard the poem as cynical or despairing.
This cycle will never end. But hope and opposition is present around the
corners. In fact the poet Merton grows weary of their conversation. Unlike them
he has other places to go. Ominously, some would say, he indicates that that
they have the power to kill him too. The future is unwritten and unknown. He
will go where he will. The priorities of those with power to wage war are
demonstrated by naming boulevards after them, as we in Melbourne know who
recognise a couple of the names. The poet stands as a witness to the wrongs
being perpetuated by those he talks with. The poem shows its time period with the
word “deter”, a relatively new concept in global military strategy at the time,
but one that is still with us today. On a literary note, the poem seems to me to
be possibly influenced by Merton’s reading of James Joyce’s ‘Finnegans Wake’, a
book he had been familiar with since university days. Wellington, Napoleon and
the rest play parts in that novel, as archetypes of the sort of thing Merton is
saying in simplified form in this poem.
Today I met Von Clausewitz
At the Stock Exchange
And said to him: “You’re dead, man,
What are you doing here?”
And he replied
“I have nowhere else to go
Nowhere else to go.”
I also saw Lord Nelson
The Duke of Wellington,
Napoleon and his Marshals
And many others with the names of Boulevards.
They all said the same.
And I said to Clausewitz
At the Stock Exchange:
“Don’t you know, men,
That all the wars are over?
We fight no more:
It is sufficient to ‘deter’.”
And they replied:
“You are wrong, and we will prove it
By killing you:
We will prove it by killing you.”
Lord Nelson,
The Duke of Wellington
Napoleon and his Marshals
And many others with the names of Boulevards,
They all said the same.
Then I grew weary
Of my conversation
With these great men of former times,
And quickly leaving them
Went far from the Exchange
But I know that tomorrow
Or the next day
Or indeed next year, if I return,
I will find Von Clausewitz again
I will find him there again.
With Lord Nelson
The Duke of Wellington
Napoleon and his Marshals
And many others with the names of Boulevards
I will find them again.
Sources
Thomas Merton. The collected
poems of Thomas Merton. New Directions,
1977
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