Rare book cataloguing
can, by chance, offer glimpses of bygone zeitgeists. A magnificent collected
works of Saint Teresa of Avila, which may explain the magnificent dedication to
the Spanish King Ferdinand VI. (Madrid, 1752) Notes: The main challenge remains
identifying the maker of the illustrative prints of the saint’s life. He signs
himself “Is. ã Palm. Scuplt.” Or Palom., therefore needing an author added
entry. I would be grateful to a fine arts researcher
who could direct me to the right authority. Even, guesses. The pages themselves
have wide margins, crystal clear print, and are snow white after 250 years: an
absolute pleasure for the reader. This paper has survived better than much
modern pulp product. One of the many popular imprint accounts of the
discoveries made by Captains Cook, Clerke, Gore, and King during the 1770s, in
three volumes. (Dublin, 1784) Notes: This set’s Irish origins suggest it may
have been bought by an interested Carmelite, only to be carried subsequently
across the water to the Antipodes. Talking of popular discoveries, today
uncovers a sixth edition of the best of William Shakespeare, who became all the
rage (again) in the run-up to Romanticism. (London, 1792) Notes: Sources
outside the book confirm that the editor is William Dodd (1729-1777), whether
due to modesty or the need for anonymity. Online tells us that he was an
Anglican clergyman and a man of letters. He lived extravagantly, and was
nicknamed the Macaroni Parson. His wiki continues, “[Dodd] dabbled in forgery
in an effort to clear his debts, and was caught and convicted. Despite a public
campaign for a Royal pardon, in which he received the assistance of Samuel
Johnson, he was hanged at Tyburn for forgery.” Dodd arranged the beauties by
play and subject, but Trove’s numerous edition records for this precise title
add to a cataloguer’s woes with lines like these for the fifth edition: “A
different selection from that by William Dodd.”
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